10 Disturbing Historical Paintings

10 Disturbing Historical Paintings


Throughout history, artists have used their craft to explore and capture the darker aspects of human experience. From haunting depictions of death and destruction to macabre explorations of the afterlife, these paintings offer a glimpse into the unsettling beliefs and fears of past societies. Whether they were created to scare, educate, or simply to evoke a strong emotional response, these ten paintings are some of the most unsettling works of art in history. Each one tells a different story, but all of them share a sense of unease that has captivated audiences for centuries. From the twisted figures of Herri met de Bles "Inferno" to the anguished screams of August Friedrich Albrecht Schenck's "Anguish," these paintings will leave you with a sense of dread and foreboding that is sure to linger long after you've left the gallery.


1. Saturn Devouring His Son | Francisco de Goya | 1823

"Saturn Devouring His Son" is a painting by Spanish artist Francisco de Goya, painted between 1819-1823. The painting depicts the mythological scene of Saturn, the Roman god of agriculture, devouring one of his children. The work is a chilling depiction of the violence and horror of the act, with Saturn depicted in a frenzied and grotesque manner, his eyes wild and his teeth bared as he consumes his offspring. The painting is considered a masterwork of Goya's "Black Paintings" series, and is known for its emotional intensity and powerful composition.


 2. The Nightmare | John Henry Fuseli | 1781

"The Nightmare" by John Henry Fuseli is an oil painting from 1781. It depicts a sleeping woman with her arms thrown back and a demonic figure crouching on her chest, symbolizing a nightmare. The painting is known for its eerie, supernatural and dramatic atmosphere, and was highly influential in the Romantic movement.

3. Laughing Fool | Possibly Jacob Cornelisz. van Oostsanen | 1500

"Laughing Fool" is a painting by Jacob Cornelisz. van Oostsanen, a Dutch Renaissance artist who was active in the early 16th century. The painting depicts a jester or fool, dressed in brightly colored clothing and a hat with bells, who is laughing and playing a musical instrument. The fool is often interpreted as a symbol of the transience of life and the ultimate futility of worldly pursuits. The figure's laughter is often seen as a reminder of the thin line between happiness and sadness, and the fleeting nature of human joy and pleasure. The painting is a fine example of the Northern Renaissance style, characterized by its use of bright, vivid colors and its attention to detail and realism. "Laughing Fool" is considered to be one of Van Oostsanen's most important works, and is widely regarded as a masterpiece of Dutch Renaissance art.

4. Old Man's Death | László Mednyánszky | 1890

"Old Man's Death" is a painting by the Hungarian artist László Mednyánszky, who was active in the late 19th and early 20th centuries. The painting depicts the death of an old man, who is lying in bed surrounded by darkness. The man's face is illuminated by a small candle, casting a warm and eerie light on his features. The figure of Death, depicted as a dark and ominous shadow, looms over the old man. The painting is characterized by Mednyánszky's distinct style, which combines elements of naturalism and symbolism to create a haunting, melancholic atmosphere. The painting is widely regarded as one of Mednyánszky's most powerful works, and is considered to be a masterpiece of Hungarian Art Nouveau.


5. Death and the Maiden | Hans Baldung | 1517

"Death and the Maiden" is a painting by the German Renaissance artist Hans Baldung, also known as Hans Baldung Grien. It was created in the early 16th century. The painting depicts a young woman being embraced by a skeletal figure of Death, who has draped his cloak over her. The maiden appears to be in a state of fear or resignation, as Death holds her in a tight embrace. The painting is widely interpreted as a representation of the inevitability of death and the transience of life. The composition is thought to be symbolic of the fleeting nature of youth and beauty, and serves as a reminder of the constant presence of death. "Death and the Maiden" is considered to be one of Baldung's most powerful and iconic works, and is a masterpiece of Northern Renaissance art.


6. The Angel of Death | Richard Tennant Cooper | 20th Century

Artistic representation of the Angel of Death, a mythical figure in various cultures. In art, the Angel of Death is often depicted as a winged skeletal creature with a solemn demeanor. The image of the Angel of Death dropping deadly substances into a river near a town is likely meant to convey a sense of ominous foreboding and death. This representation of the Angel of Death as a bringer of death and destruction is a common theme in art and literature.


7. The Corpses of the De Witt Brothers | Jan de Baen | 1675

"The Corpses of the De Witt Brothers" is a painting by Jan de Baen, a Dutch Baroque artist who was active in the late 17th century. The painting depicts the bodies of Johan and Cornelius de Witt, two prominent Dutch statesmen who were murdered in 1672 by a mob during the height of political turmoil in the Netherlands. The painting shows the two brothers mutilated bodies hung upside down, with a horrified onlooker. The bodies are depicted in a highly realistic manner, and the painting is characterized by its attention to detail and its dramatic lighting. The painting is widely considered to be a masterpiece of Dutch Baroque art, and is notable for its powerful emotional impact and its depiction of the consequences of political violence. "The Corpses of the De Witt Brothers" is considered to be one of Jan de Baen's most important works, and is an important historical and cultural artifact of the Netherlands.

8. Inferno | Herri met de Bles | 16th Century

"Inferno" is a 16th-century painting by the Flemish artist Herri met de Bles, a follower of the well known Hieronymus Bosch. It is a triptych depicting a surreal, fantastical version of Hell, full of twisted and contorted figures suffering the punishments of the damned. The central panel shows the depths of Hell as a chaotic and unsettling landscape, with demons tormenting and tormenting the souls of the damned. The right panel shows the Garden of Earthly Delights, a depiction of human indulgences, while the left panel depicts the temptation and fall of Adam and Eve. "Inferno" is known for its vivid and imaginative depiction of sin, suffering, and the consequences of moral decay.


9. Dante and Virgile | William Bouguereau | 1850

"Dante and Virgil" is a painting by the French artist William Bouguereau, created in 1850. The painting depicts the Italian poet Dante Alighieri, the author of the "Divine Comedy," being guided through Hell by the ancient Roman poet Virgil. The two figures are shown in the foreground, standing on a rocky outcropping and gazing out at the landscape of Hell in the background. Dante is depicted as thoughtful and pensive, while Virgil is depicted as strong and resolute.

The painting is known for its meticulous attention to detail and its highly polished surface, which give the work a sense of classical beauty and harmony. The figures are shown in elegant, flowing robes and are bathed in a warm, soft light. The background is rich with the chaotic, fiery landscapes of Hell, with demons and souls writhing in torment. The painting is a powerful allegory of the journey of the soul, and a meditation on the consequences of sin and the power of guidance and redemption.

10. Anguish | August Friedrich Albrecht Schenck | 1878

"Anguish" is a painting from 1878 by the German artist August Friedrich Albrecht Schenck. The painting depicts a single sheep in the foreground, who appears to be in extreme distress or torment. The sheep's face is contorted in a scream or a howl of pain, and its body is writhing in agony as it stands over its dead child. The background of the painting is dark and indistinct, adding to the sense of unease and foreboding. Schenck was known for his expressive and emotional depictions of the human form, and "Anguish" is a powerful example of his work in this vein. The painting is notable for its ability to convey a sense of intense suffering and torment through the use of dramatic lighting, bold brushwork, and the expressive poses of the figures. It is a thought-provoking work that invites the viewer to consider the nature of pain, suffering, and human experience.